Rider’s Lens: The Search for Light, by Jason Boucher
Good light is the critical element in all photography. But for Jason Boucher, it’s scant fragments of light that catch his eye.
Words and photos by Jason Boucher
I have spent the better part of the past 10 years filling hard drives with digital images and drawers with 4×6 film prints. Some days I don’t know why I keep shooting given that I only shoot for myself and for sharing with friends and family. Other days it’s the only way I know to deal with the world. You see, roughly 10 years ago I married my two passions—cycling and photography. That matrimony was a formative milestone in my personal and professional career. Over the past decade, both cycling and photography have powered many trips, relationships and memories, and helped me see purpose in my career.
As I look back over this body of work, I think there are really two themes in my cycling photography. The first being the overarching idea that the world is big and we are small. The second being darkness, sunrise and the search for light. Maybe the latter is a reflection of my introverted tendencies, but I like to ride in the dark. Whether it be a late sunset ride that ends in the dark or an early ride in the dark that ends with a sunrise, I like the challenges of shooting with little or no light. I like seeing the beauty of a good sunrise or sunset. I like the warmth of morning light. I like breaking the rules that I was taught; “Don’t shoot into a light source.” I just find light, and the use of light, both challenging and inspiring… and this theme has been ever present in my work. In my chase of light in the wee hours of the morning or dark evening, It’s often just fragments of light that stand out and catch my eye. It’s those moments that I grab my camera.
In my chase of light in the wee hours of the morning or dark evening, It’s often just fragments of light that stand out and catch my eye. It’s those moments that I grab my camera.”
I don’t leave home on a bike ride without my camera. These days, Leica and Fuji X mirrorless cameras are my tools of choice. I am one of the early adopters of mirrorless. This in itself has been a challenge and worthy of its own article. My switch was not driven by the recent advances in mirrorless technology, but by the size of the camera bodies and lenses.
Photo Breakdown – Under the bridge
The shot which I chose to dissect is one of my most popular photographs. This image has garnered more comments, memories, and print requests than others in my collection. It was shot on a Leica digital camera with a Zeiss 35 C f2.8 lens. I shot this not too far from my home on the ever changing and popular Minnesota River Bottoms Trail. I’m a sucker for under the bridge shots and pretty much every time I go through this area, I ramble around looking for another angle and fresh shot. My friend John and I frequently play in this area and on this particular day we left in the dark and timed the sunrise perfectly. I saw the shot right away. The light was perfect. The symmetry of the bridge arches going to infinity. The warm side light casting beautiful triangles and reflection. I pulled out my camera and told John to ride back and forth a few times. I took a couple of different angles but when I saw the lines and his front wheel rise from the ground I snapped 3 quick shots. All perfect.
New in plog
- Oct 19, 2017Highest Hundred: An Interview With The Long Ranger
- Oct 16, 2017Nature is Purposeless…
- Oct 13, 2017Group Ride, Individual Journey: The Ramble Ride Videos
- Oct 9, 2017Rider’s Lens: Federico Cabrera
- Oct 3, 2017The Waiau-Toa Odyssey